Sunday, August 28, 2011

Choosing a Theme for Readings

Except for looking at the Tucson shootings, my students had a hard time connecting to the readings I chose for last spring.  They didn't have adequate background information to understanding contextual nuances in the text, and the subject matter didn't compel them to even try.

A few semesters ago I showed Invisible Children to my students, and it really captured their attention.  Half of them were already familiar with the story of kidnapped Ugandan children forced to serve as soldiers.  About a quarter of them had participated or organized fundraising to assist the children.  The film moved them emotionally so that they really couldn't talk after they saw it.  I asked them to write whatever they were thinking, and I saw the best writing they had done all semester.  

The students connected with this film emotionally that semester, and I wanted to show it again.  

I immediately thought about a theme of social justice.  I thought about the famine in Somalia.  I thought about Give Clean Water.  I thought about education and fighting AIDS and apartheid in South Africa and so on and so on.  

And then I thought about Gerald Graff and his philosophy of teaching the controversy.  I wondered: What is controversial about helping people?  Why wouldn't we want to help the people of Somalia so that they don't starve due to drought and famine and war? 

Where's the controversy there?  (As it turns out, that's really only part of his philosophy, which has to do with exposing academic arguments.)

And then I started thinking about who was going to pay for food and who was going to deliver it and how much food is enough and do we also provide medical care and how much and to what extent.  And now it's not so simple.  Who do we feed?  How much do we feed them? And who pays for it?  

And are we obligated to rescue the starving?  We certainly don't feel obligated to do too much in this country right now.  

Now I have a controversy.  A pretty big one.  

I remembered articles from Peter Singer and Nicholas Kristof, who have both written about helping those who are less fortunate.  I looked up "social justice" on Wikipedia and found *

More controversy.  Graff says, "College paper assignments tend to ask for information or textual interpretations in a vacuum, not polemical engagement" (59).  This is the kind of stuff that makes writing incredibly boring for students.  Graff wants students to enter into the same kinds of conversations that academics engage in.  He wants them to examine claims and dispute them, to recognize that knowledge is continually growing and changing.  He contends that acknowledging and entering into the controversy clarifies understanding and perspective.

Now, I like Graff.  I like the way he teaches argument in They Say/I Say.  I like the way he demystifies academic discourse by introducing templates that students can use and adapt to suit writing.  He was the first comp theorist to describe "entering into a conversation" to me.  I like that idea.  As a result of all these things, I pay attention to Graff.

So I want to teach the controversy.  What is social justice?  Does it, in fact, lead to injustice?  Do we side with Rawls or Singer or Kuper or someone else entirely?  Let's examine the claims and take a position.

I admit I have shamelessly appealed to pathos in order to interest the students.  I am hoping emotional attachment to a topic will motivate them to tackle difficult texts addressing the controversy.  I plan to challenge the students by introducing academic journals.  I want to give them the skills to decipher those--Swales and Feak's CARS (Create a Research Space).  I want them to see that academics incorporate certain patterns in academic discourse.  Recognizing those patterns makes reading those journals less difficult.

This approach is a risk, to be sure.  I can modify my last project, however.



Graff, Gerald.  "Two Cheers for the Argument Culture."  

Friday, August 26, 2011

Starting Over - I'm a first-year teacher again.

Well, I finished my masters, taught four semesters as a grad student, worked as a mentor to new TAs, and tutored in developmental classes.  At the very last minute, right before the fall semester was scheduled to start, when I thought I would be unemployed, SDSU hired me and now I'm teaching four classes of second semester writing.

So now I'm starting over again. I have an office and a key and a faculty parking pass.  When I attend meetings, I am staff and not a grad student.

It feels weird, sort of like I don't quite belong.
I'm concerned about grading 128 papers.
I'm concerned about trying to meet with 128 students.

I'm trying to plan lessons, and I'm not sure what will work.

I want to try blogging again.  I want to articulate my goals and objectives, why I choose the plans I choose, at the same time reflecting on what I do and what I wish I had done.

Hopefully this will make me a better teacher next semester, and the one after that.  

Tuesday, November 17, 2009

Explanation versus Argument

My students like to say that an author suggests, explains, or informs. They are reluctant to state that the author claims, argues, or contends.

Suggestions, explanations, and information are safe and sure. Facts are facts. No evaluation is needed.

And so they buy into everything we read.

I am reading papers about de Waal. He informs. He explains. He suggests.

No. De Waal argues that he is right and the rest of the world, anyone who disagrees with him, is wrong.

In rhetoric, we identify his argument and his claims, we evaluate the way he says it, and we determine the effectiveness of his argument. We find what others have to say about it.

We don't just repeat it.

I must remember to communicate this to students next time around. Sigh.
Or even this time around.

Homework and Attendance

Students stay home for the flu--and pretend to have the flu so they can stay home.

What can I do?
I think I have been too lax, but it is difficult to change now.

One student still attends class, but hasn't turned in either of the major projects.
Several students failed to turn in the second project.

Do they think they are going to pass without these assignments?

And homework--do they think it's optional?

Austin is one of the best writers in the class, but rarely turns in homework. He's been out sick for a couple of weeks. He turned in the project 2 draft late, but hasn't done a revision yet. Of course no homework.

I want these students to succeed, but I can't do the work for them.

Next semester I will be more specific, tougher.

Visual Rhetoric

I have to say--this is a blast.

Analysis of this kind is easier than text because we have concrete examples in front of us. I know everyone has done the "reading" because we have done it together in class.

  • They are doing lots of writing--about a page per class day. I want them to begin writing paragraphs that can be used for their upcoming assignment.

I wonder how use of visuals (power point, etc.) would affect discussion of print text. If students could see the print on a screen, would they be more engaged?

Would film clips or photos illustrating related ideas be helpful to understanding of print text?

Perhaps it's me--if I see what's on the screen, I spend less time looking at notes and more time looking at students. Not that I look at my notes a lot, but I'm thinking the notes on the screen help direct their attention.

I am hoping--okay praying--I get a smart classroom next semester. I am assuming I will teach again--but perhaps I should pray about that as well. Fewer students means fewer sections, and fewer sections means fewer TAs.

Secondary Sources or Research or Both

Laura chose her students' secondary sources rather than letting them find the sources on their own. There are advantages to this.
  • I would be familiar with these sources and more able to help students integrate them into study of the primary source.
  • In fact, integration would be the focus rather than research.
  • I wouldn't have to spend time looking at their sources.

Research is valuable, but is there time to teach both skills? I don't know. I feel like we did good analysis of de Waal, but that I didn't teach synthesis of sources OR research very well. I would do better next time, I think.

An In-depth Exploration

I really don't understand.

My students, with their two short secondary sources, claim that they are doing in-depth research, that they will prove de Waal is correct, or wrong, or whatever.

Next time around, I really need to caution them about this.

It sounds arrogant, and I find it irritating.